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The Five Principles of Short Story Plots
Although the structure and plot of a short story can take many forms, a typical short story will often follow the principles set out below. Following such a pattern can be especially useful for those starting out in short story writing, or for those who are struggling with the demands of telling a story in such a compressed form. Following these principles will help simplify the process of writing a great short story.
Introduction - in which the setting, characters and circumstances of the story are succinctly described and brought to the reader’s attention. It is the combination of these that will usually set up the problem that causes the conflict of the story.
Development - when the characters interact with each other and try to find the solution to the problem and hence to resolve the conflict. This involves the development of both the characters and the means by which they will try to solve their problem
Conflict – the central issue of the story. The lifeblood of dramatic writing is the conflict, or the problem, which lies at the heart of the story. The conflict may be between two characters, or between a character and an element of the environment in which the story occurs, or it may be an internal conflict for one of the characters. However, there must always be a unity between the conflict and the way in which the characters try to resolve the problem. A man who has never picked a lock before can not escape a room by picking the lock. Whatever the form of a short story it is hard to imagine one without conflict.
Climax – the moment of high emotion when the character or characters succeed or fail in their attempt to solve the problem and thus bring an end to the conflict; it is the point where the conflict is settled. The climax is the dramatic moment of the story and the one that it has been building to throughout. Often it is the moment that accounts for some kind of change in one of the characters. The climax should always be at one with the story, that is to say connected and flowing from what has come before. Like a joke needs a good punch line that brings together the elements of the joke, so the story needs just such a climax.
Conclusion - where the story is finished off. There are, of course, a number of ways in which a story can be ended. It can be happy or sad, successful or a failure; it could be concealed (not obvious through the story, but with clues throughout) or it could be a sting in the tail. However, there should always be a sense of satisfaction by the reader with the ending. The reader should realise the significance of what has gone before and may also achieve some insight into their understandings or values as a result of what they have read.
The above is no more than a guide to help develop an idea that is just bursting to be put on paper. Once it is there, it may take a slightly different form or diverge in a more fundamental way. However, 90% of the battle with writing is just getting started and this is a robust method planning and getting the idea onto paper. Lastly, don’t forget the golden rule of writing: enjoy the experience. It should never feel like work.
About the Author
Alan Goodwin is a New Zealand writer. Read his HarperCollins published novel Gravity’s Chain http://www.gravityschain.com/ which explores the themes of flawed greatness in the context of a modern drama.
